The triangle, a recurring motif throughout the composition, serves as the form-generating element. It appears in the intricately designed tiaras atop the girls’ heads, extends through the angular collars, and is reflected in the precise positioning of their hands. Even the shading adheres to this triangular geometry, reinforcing the painting’s sense of cohesion and deliberate design.
The board in which the girls’ waists put in literally is also governed by this geometric figure, adding an additional layer of tension and intrigue. The painting’s title, Procession, suggests a moment of solemnity, perhaps even ritual, combined with a distinctly theatrical flair.
Yet, the interpretation of this board invites ambiguity: Is it a coffin lid, symbolizing the weight of mortality and the finality of life, or does it evoke the lightness of a ballet tutu, hinting at the delicate grace of a dance? This duality leaves the viewer suspended between two worlds—one of somber ritual and one of ethereal performance—exemplifying Tyshler’s mastery in blending the serious with the whimsical.
